How the “Harlem Shake” Sensation Helped EDM

The Harlem Shake Youtube video trend is finally beginning to fade out, and I’m sure everybody is thanking the heavens that the most overplayed song of 2013 is finally diving back into the depths from which it came from.  However, in today’s social media society, once something goes viral, it is simply never the same.  Rather than your typical David Guetta, Swedish House Mafia, Avicii, even Skrillex-type music that is often associated with rave culture, the world got to see a subgenre, trap music, and it became a sensation that literally took the world by storm.  I swear, never in my life have I seen a Youtube trend so big, and it just makes me realize that I think the world is ready for the next step in music, which is to shy away from all the typical bullshit you hear on the radio.  Drum’ n ’bass exists, gabber exists, liquid dubstep exists, epic trance exists, but sometimes I feel like its all lost in translation because the bigger artists making the more popular genres of music hog the spotlight.  “Harlem Shake” proved that trap music, which is seriously such an overlooked and underplayed subgenre, can make it big.  People who are passionate about EDM get sick of the same genres getting played out.  Our world is more than the famous artists I have listed.  Its about experimentation with sound and having fun.  Many artists put together tracks and corresponding Youtube videos that are all supposed to be in good humor, just a little something I’ve noticed about EDM culture.  A lot of people think raving is “bad” or “all about drugs”, but I think that this Harlem Shake takeover just showed the world that as “ravers” we’re just trying to listen to/ make good music, try new things, and have a fun time doing it.  Who knows, maybe another obscure subgenre of EDM will make it viral.  EDM is here to stay, and I think the more knowledgeable the world is about our culture and what we’re about, the better this not so little EDM world is gonna get.

Artist Spotlight: Deorro, aka TON!C

Recently Deorro, aka Ton!c, has been coming up on my radar as a fresh new producer displaying some of the best in electro house and indie dance music.  As a producer, I’ve noticed the last thing he does is color inside the lines.  The reason I have been so drawn to him as an artist is the unique sounds and the diversity of each of his productions.  I feel like he has almost created his own subgenre, it sounds like gangster meets electro house. No two of his songs sound the same (which I find is a bit typical with electro house producers) and everything he produces makes you want to get up off your ass and dance.  Everything about what he does is just straight funky.  Half the time I feel like his music doesn’t even fall into a genre because he just does what feels good, which in turn, provides an orgasmic experience for the ears.  For me, his music is the total party experience.  This is definitely not easy listening, if you’re going to switch on some Deorro, make sure the volume is on full blast and get ready for a dance because I really don’t see any possible way to sit still while listening to him. Enjoy some of my favorite songs by him!

 

Marcus Schossow – Helvete (Kevin Focus Remix)

Artist Review: Sander Van Doorn

Once again, I was forced to go to my least favorite night club to enjoy some more great talent that I’ve never gotten to see before: Sander Van Doorn.  Sander made a splash in the music soon in 2004 with his hit ‘Loaded’ and his since continued climbing the ladder to success in the EDM world.  Before going to his show, I wasn’t really sure what to expect.  I had tuned into his podcasts before, and to be honest, I wasn’t really feeling it.  The music was a bit boring and it felt more like easy listening than something that truly made me want to get up and dance (which isn’t always a bad thing).  I got talked into going to his show, rather than going by my own free will (thats what friends are for, right?).  To be honest, I wasn’t completely blown away by his set, but it was still enjoyable.  If you are a Sander fan, I would definitely recommend going and seeing him! Even if you aren’t familiar with him but you like progressive house, I would say go check him out.  He spins trance and progressive house, and I appreciated the song selection in his set.  I find that when I go to shows where this is the genre of the DJ, it all has the same trousey sound and for the most part, its just a countdown of the current top 40 trouse hits.  I liked that Sander WASN’T trouse and was just really good and original progressive house.  He played a lot of his own tracks in all the right places and overall I liked the flow of his set.  I definitely don’t think Sander is for everybody, there’s wasn’t much electro in his set (which is currently trending in all DJ sets I’ve noticed), and that was actually a nice change of pace.  I think he has a very unique sound.  Going into his show, I knew what to expect and he met my expectations (but didn’t really succeed them).  I guess from the gist of this article, you can tell I’m not all to impressed with him, but keep in mind this review is from someone that would not consider herself a Sander fan, just an outsider taking a peep inside.  If he comes to your town, I would say go see him because he plays a unique set in comparison to all the other trance/ progressive house DJs out there, but if you miss him, I assure you you won’t be shedding any tears.

Artist Review: Mat Zo

Going into Mat Zo’s set, I already knew what I was in store for.  I know his reputation and I know his style, so my expectations for his set weren’t super high. I was expecting generic trouse (which is a guilty pleasure of mine) and I wasn’t expecting Mixmaster Mike-type skills. I was definitely surprised by Zo’s set and that he stuck to what he knew.  Although he is signed to Anjunabeats record label, that label no longer represents the best in trance, but rather the best in progressive house.  What I liked most about Zo’s set was that he stuck to some really great trouse songs instead of venturing into mainstream progressive house hits, which I was expecting.  He vibed with the crowd and I was lucky enough to be front row so I could watch his every move (creepy I know).  I wouldn’t say he was an absolutely amazing dj, because I was not overly impressed with his mixing skills.  However, he kept the crowd engaged for the entire duration of his set, which delighted me.  He was extremely into the music and I loved his friendliness and his interaction with the crowd.  Being the total groupies we are, me and my friends stayed until the show ended and got autographs from him.  Totally friendly and normal looking guy, which I think definitely helped with his stage presence and connecting to his fans.  I had an awesome time and would definitely recommend seeing him if you like progressive house.  If you are expecting a trancier set though, look somewhere else, Zo is not a trance DJ.

Rant: Trouse

“Trouse”, the newest trend in EDM since dubstep is beginning to take over many of my favorite DJs, and I’m not happy.  It started with Tiesto, progressed to Above & Beyond, Arty, Gareth Emery, and Marcus Schossow, and now has claimed a new victim: Tritonal.    Each of these DJs started with strong roots in trance.  However, because of the rising popularity of EDM and the transition into mainstream, a lot of artists are beginning to make their sounds more mainstream to appeal to bigger audiences.  Many of my favorites, I’ve noticed, have changed their sounds and are beginning to sound more alike instead of maintaining the individuality that made me fall in love with them in the first place.  “Trouse”, if you haven’t figured out the meaning of the word, is a combination of the words “trance” and “house”.  To me, trouse sounds more like a progressive house set with bits and pieces of electro and trance, which is not what I want to hear when I see my favorite trance producers.  As of late, I feel there are not many true trance acts out there, as many of them are following the new trend and abandoning their old sounds.  As much as I don’t want to say it, I feel like Dash Berlin is next.  I’m not sure who else will be hopping on the “trend train”, but I have a feeling many trance producers are going to begin selling out.  I began losing my faith in trance culture when Above & Beyond made the transition; if Armin or Markus ever go trouse, I am giving up faith in humanity.

Bingo Players – Out Of My Mind

TJR – Ode To Oi

Artist Spotlight: Ken Loi

Ken Loi has easily become one of my favorite producers of 2012 with all of the crazy mashups he has come up with this year.  Although I find that some of his tracks are hit or miss, the ones that hit, hit HARD.  He has done a beautiful job at blending together this years hottest tracks to make a superb, kickass song.  The way the songs are sliced and diced and then put back together is impressive.  I’ll admit, yes there are artists out there that do way better jobs at actually mashing the songs up, but I think my main interest in Loi as a producer lies in the songs that he chooses to put together.  The whole mash-up of “By The Way”, “Sex on Fire”, and “Somebody That I Used to Know” was beginning to get a bit old and its nice to see him mashing up songs that typical don’t get mashed up.  I love the originality of his finished productions and I have decided to share 3 of my favorites:

KhoMha – Dusk Riddles