Once again, I was forced to go to my least favorite night club to enjoy some more great talent that I’ve never gotten to see before: Sander Van Doorn. Sander made a splash in the music soon in 2004 with his hit ‘Loaded’ and his since continued climbing the ladder to success in the EDM world. Before going to his show, I wasn’t really sure what to expect. I had tuned into his podcasts before, and to be honest, I wasn’t really feeling it. The music was a bit boring and it felt more like easy listening than something that truly made me want to get up and dance (which isn’t always a bad thing). I got talked into going to his show, rather than going by my own free will (thats what friends are for, right?). To be honest, I wasn’t completely blown away by his set, but it was still enjoyable. If you are a Sander fan, I would definitely recommend going and seeing him! Even if you aren’t familiar with him but you like progressive house, I would say go check him out. He spins trance and progressive house, and I appreciated the song selection in his set. I find that when I go to shows where this is the genre of the DJ, it all has the same trousey sound and for the most part, its just a countdown of the current top 40 trouse hits. I liked that Sander WASN’T trouse and was just really good and original progressive house. He played a lot of his own tracks in all the right places and overall I liked the flow of his set. I definitely don’t think Sander is for everybody, there’s wasn’t much electro in his set (which is currently trending in all DJ sets I’ve noticed), and that was actually a nice change of pace. I think he has a very unique sound. Going into his show, I knew what to expect and he met my expectations (but didn’t really succeed them). I guess from the gist of this article, you can tell I’m not all to impressed with him, but keep in mind this review is from someone that would not consider herself a Sander fan, just an outsider taking a peep inside. If he comes to your town, I would say go see him because he plays a unique set in comparison to all the other trance/ progressive house DJs out there, but if you miss him, I assure you you won’t be shedding any tears.
Posts tagged ‘music’
Seeing as W&W has been rising to fame fast quite recently, I was expecting a generic trouse set from them. On top of that, they were playing at my least favorite nightclub (Wild Knight in Scottsdale) and I was expecting the whole thing to be a clusterfuck. For the sake of people that read my blog though (or glance at my “articles” for 5 seconds at a time), I figured I would attend this show since I’ve never seen W&W live before and you guys might like to know if they are worth seeing live or not. The answer is yes. Yes, go see them live, yes they are amazing, yes they put on a wonderful performance. Rather than the same old melodic trance I am used to hearing from trance acts, it was more of a darker tech trance sound, and I loved it! The song selection was great and it was definitely a different type of trance experience for me, as most of the tracks they chose were non-vocal. They had a few classics tucked in there, but for the most part they played a lot of their own productions and had a really original-sounding set that I loved! The one complaint that I had (because I always have to complain about something) was their live mixing skills. Their interaction with the crowd was awesome, I really felt like they were paying attention to the audience and dancing along with us, but I don’t necessarily feel like their music reflected it. The build-ups and the break-downs weren’t all that intense and overall I felt like their set was really consistent, instead of making the crowd really go crazy and wowing us. The tracks they played were great, like I said earlier, but I felt like they didn’t do anything to change the energy of the crowd and rather than choosing drops that would make everyone go nuts, there weren’t many of those moments at all. I really love tech trance, and they killed it in that aspect, so I would definitely recommend seeing them live no matter what genre you’re into. They don’t get into the really trancey stuff and they also don’t get really into the electro stuff. They played a good mixture of both which resulted in a totally unique and darker sound. If this seems like something that would interest you, definitely do not hesitate buying your ticket if they’re ever in your city!
Ken Loi has easily become one of my favorite producers of 2012 with all of the crazy mashups he has come up with this year. Although I find that some of his tracks are hit or miss, the ones that hit, hit HARD. He has done a beautiful job at blending together this years hottest tracks to make a superb, kickass song. The way the songs are sliced and diced and then put back together is impressive. I’ll admit, yes there are artists out there that do way better jobs at actually mashing the songs up, but I think my main interest in Loi as a producer lies in the songs that he chooses to put together. The whole mash-up of “By The Way”, “Sex on Fire”, and “Somebody That I Used to Know” was beginning to get a bit old and its nice to see him mashing up songs that typical don’t get mashed up. I love the originality of his finished productions and I have decided to share 3 of my favorites:
In 2006, the AZ rave scene was pretty poppin, and I have the evidence to prove it (see picture on right of me in the front row, yes that is me at 16). Fast forward 6 years and the rave scene sucks more than a Dyson vacuum cleaner. The scene went from being underground and personal, to basically a corporate money-making machine. Thanks to complete morons such as Relentless Beats, Insomniac Events, and Steve Levine Entertainment, the rave scene is nothing more than a bunch of college douchebags and a bunch of middle school/ high school druggies looking for a place to not only party, but partake in highly embarrassing behavior including asking everyone within 5 foot distance if they would like a back massage or letting fellow partygoers know how hard they are rolling. Thank you so much AZ production companies for really looking out for the best interest of the rave scene here. Over the past year, I haven’t attended an event that has gone on PAST midnight. This is complete bullshit, and for that, somebody needs to immediately destroy the offices that belong to said production companies. Back in the day, when raves were still illegal, most of them weren’t even starting til 11 and ending until 5 or 6, sometimes even 7 in the morning. Now that the production companies have taken “raves” into their own hands, raves end at midnight sharp so that the event is legally an all-ages event. Obviously the promoters don’t give a fuck about the absurd amount of rolling 12 years grinding on each other in nothing but underwear, but rather how much money they make and how many people they are able to rake into their event.
Recently on the popular social media site, Facebook, I saw a rather well-known promoter posting pictures of himself flyering what looked like the ASU campus. No offense idiot, but if you don’t know what raves are, you have no right promoting it to the idiots that destroyed our scene. When I first started going to raves, it was all about the underground, and the vibes; it was about leaving your identity at home and partying til the wee hours of the morning with people that only knew your raver alter-ego and would probably never see you while the sun was actually out. Many of these idiot promoters have taken it upon themselves to make sure that the rave scene has grown rapidly so they can rake in the dough. Everywhere you go there are flyers, whether you are at a smoke shop, tattoo shop, or even college campus. The promoters do not legitimately give a fuck about who comes to these events, they just want it to be big. Gone are the days of vibes and “PLUR” and whatever other raver bullshit I used to tell myself when I was in high school. Now its just a big money making scam where the promoters truly don’t give a shit about what a rave is. A rave ends at whatever time the djs decide they want to go home, and should consist of people that know people that know people that know people, not just end at a certain time because of contract or consist of everyone and their mama because the promoters are trying to attract a big crowd.
Its obvious no one gives a fuck about who comes to raves or about what vibes are present, just as long as the promoters are making money they are happy. They know nothing about the culture, and are using the new EDM trend to profit. For me personally, my culture has been taken away from me and I am forced to hang out with possibly the whole meth-using population of Arizona. The promoters here are bringing out really good talent, and for that I commend them. But seriously, if you know nothing about how raves used to be, stay the fuck away from promoting; if you’re money-hungry I heard drug-dealing and stripping are pretty profitable professions, but for the love of God, STAY AWAY FROM THE RAVE SCENE.